The president of the American Society of News Editors recently assured students at Penn State that now is a great time to be in journalism.
"This is an opportune time to be a journalist," said Martin Kaiser. "From all this uncertainty comes opportunities."
Kaiser, coverred by the Daily Collegian newspaper, said he realizes that there are problems in the industry, but that there are actually more readers now then ever before. The main problem to be solved is how to bring in revenue to the newspapers from the online readers.
With the increased amount of online traffic for newspaper Web sites also comes an opportunity for reporters to experiment, Kaiser said. New technology gives reporters "an opportunity to be more transparent," lending more credibility and interactivity to stories.
Sunday, February 28, 2010
'Journalist' as a diagnosis
Magazine writer and novelist Anna Quindlen maybe had it pegged when she wrote, "Being a reporter is as much a diagnosis as a job description."
However, New York Times executive editor Bill Keller added some flair to the sense of destiny to pursuing journalism -- the calling, if you will.
In an email to Off The Record, Keller wrote, "Journalists are disposed to a kind of A.D.D., a restless curiosity. One great lure of this work is that you can move from subject to subject, from reporting to editing and back again. Think of it as pushing the 'refresh' button."
However, New York Times executive editor Bill Keller added some flair to the sense of destiny to pursuing journalism -- the calling, if you will.
In an email to Off The Record, Keller wrote, "Journalists are disposed to a kind of A.D.D., a restless curiosity. One great lure of this work is that you can move from subject to subject, from reporting to editing and back again. Think of it as pushing the 'refresh' button."
Eggers' 'new/old journalism' in 'Panorama'
The Chicago Tribune's Christopher Borrelli writes about the wonderful one-shot "Sunday newspaper," the San Francisco Panorama, through a chat with creator Dave Eggers, an Illinoisan from his roots through college.
"The first thing to know about the 33rd issue of McSweeney's, the literary journal started in 1998 by Lake Forest native Dave Eggers, is that it's a fantasy, a tantalizing mirage — a glimpse of a perfect media world. And it isn't a fantasy, not entirely. Issue No. 33, so immense it comes in a pillow-size, silver, Ziploc-ish bag, is designed as an old-school Sunday broadsheet newspaper. It features articles from Junot Diaz, Stephen King, Michael Chabon, Miranda July and actor James Franco; it has comics from Alison Bechdel, Art Spiegelman and Oak Park resident Chris Ware; cartoonist Daniel Clowes (another Chicago guy) created the front-page logo. The books section runs 96 pages, the Sunday magazine 112 pages. The photos are large and gorgeous, the longest story is about 20,000 words, the arts section is two sections, and, basically, it's fun.
"Really fun.
"So perfectly executed that if you work at a daily newspaper — heck, if you merely prefer the feel of news on print, or just adore the beleaguered medium (as Eggers does) — issue No. 33 may bring a tear to your eye."
Click on the link above for the full Q&A; also fun.
"The first thing to know about the 33rd issue of McSweeney's, the literary journal started in 1998 by Lake Forest native Dave Eggers, is that it's a fantasy, a tantalizing mirage — a glimpse of a perfect media world. And it isn't a fantasy, not entirely. Issue No. 33, so immense it comes in a pillow-size, silver, Ziploc-ish bag, is designed as an old-school Sunday broadsheet newspaper. It features articles from Junot Diaz, Stephen King, Michael Chabon, Miranda July and actor James Franco; it has comics from Alison Bechdel, Art Spiegelman and Oak Park resident Chris Ware; cartoonist Daniel Clowes (another Chicago guy) created the front-page logo. The books section runs 96 pages, the Sunday magazine 112 pages. The photos are large and gorgeous, the longest story is about 20,000 words, the arts section is two sections, and, basically, it's fun.
"Really fun.
"So perfectly executed that if you work at a daily newspaper — heck, if you merely prefer the feel of news on print, or just adore the beleaguered medium (as Eggers does) — issue No. 33 may bring a tear to your eye."
Click on the link above for the full Q&A; also fun.
Journalism's past and future: ex-BBC news chief
BBC global news director Richard Sambrook is excited about what the web offers news consumers and news rooms, but frets about substance.
"The Internet for breaking and daily news is going to be more important, but where is the space on the web for current affairs and investigative journalism?" he asked in an interview with Vin Ray of the BBC College of Journalism.
After three decades in journalism, Sambrook is leaving the BBC to join the public relations firm Edelman.
Ustream has the conversation on video on the Reportr.net link above.
"The Internet for breaking and daily news is going to be more important, but where is the space on the web for current affairs and investigative journalism?" he asked in an interview with Vin Ray of the BBC College of Journalism.
After three decades in journalism, Sambrook is leaving the BBC to join the public relations firm Edelman.
Ustream has the conversation on video on the Reportr.net link above.
Friday, February 12, 2010
Toyota puts price on good journalism
As Toyota steps up its public-relations pushback machine, consumers of news as well as cars might recall that the Japanese carmaker’s problems are not new –- and they’re trying to financially punish those news operations that brought the facts to light.
ABC-TV affiliates in five southeastern states had Toyota pull all their advertising in retaliation for ABC News accurately reporting on problems such as sticky pedals.
“ABC News and its chief investigative correspondent Brian Ross have been reporting on the problem of ‘runaway Toyotas’ since last November,” reports journalist and commentator Laura Flanders. “Ross had hosted a series of stories long before Toyota management started issuing apologies and denials about the extent of their cars’ defects.”
Earlier this month, as Toyota started its biggest recalls ever, Southeast Toyota dealers started pulling commercials off ABC. According to excerpts from an ABC report, the ad agency representing 173 dealers told local ABC affiliates that the shift was due to “excessive stories on the Toyota issues.” One unnamed ABC station manager quoted in a February 8 story on the ad-pulls is quoted as saying that the dealers shifted their commercial time buys to non-ABC stations in the same markets, “as punishment for the reporting.”
Toyota recently started recalling 2010 Prius, too. to its list of recalled vehicles.
“Will ABC News continue reporting?” Flanders asks. “Probably. But will cash-strapped local affiliates continue to run those stories?”
ABC-TV affiliates in five southeastern states had Toyota pull all their advertising in retaliation for ABC News accurately reporting on problems such as sticky pedals.
“ABC News and its chief investigative correspondent Brian Ross have been reporting on the problem of ‘runaway Toyotas’ since last November,” reports journalist and commentator Laura Flanders. “Ross had hosted a series of stories long before Toyota management started issuing apologies and denials about the extent of their cars’ defects.”
Earlier this month, as Toyota started its biggest recalls ever, Southeast Toyota dealers started pulling commercials off ABC. According to excerpts from an ABC report, the ad agency representing 173 dealers told local ABC affiliates that the shift was due to “excessive stories on the Toyota issues.” One unnamed ABC station manager quoted in a February 8 story on the ad-pulls is quoted as saying that the dealers shifted their commercial time buys to non-ABC stations in the same markets, “as punishment for the reporting.”
Toyota recently started recalling 2010 Prius, too. to its list of recalled vehicles.
“Will ABC News continue reporting?” Flanders asks. “Probably. But will cash-strapped local affiliates continue to run those stories?”
Wednesday, February 3, 2010
'A fight I'd like to see'
The National Society of Newspaper Columnists this week re-printed the following essay, which is worth sharing.
Pictured at right is newspaperman/novelist/correspondent Ernest Hemingway -- "content provider"?
By Joyce Marcel
American Reporter Correspondent
DUMMERSTON, Vt. - The first time I was called a "content provider," I knew things were all downhill from there.
Think about Ernest Hemingway. Martha Gellhorn. Dorothy Thompson.
Then Damon Runyon. Alberto Moravia. Mark Twain. Jacob Riis and Lincoln Steffens. Graham Greene. Tom Wolfe. Gay Talese. Nellie Bly. H. L. Mencken. Grantland Rice. Hunter S. Thompson. Walter Winchell. Red Smith. Ernie Pyle. Russell Baker. Dave Barry. Carl Hiassen. Edna Buchanan. Ambrose Bierce. Mike Royko. Herb Caen. Janet Flanner. David Remnick. Seymour Hersh. Art Buchwald. George Seldes. I. F. Stone. David Halberstam. Geraldine Brooks. Jane Perlez. Tony Hillerman. Molly Ivins. A.J. Liebling. Murray Kempton. Ellen Goodman. Anna Quindlen.
Think about the sob sisters and advice-givers: Dorothy Dix. Amy Vanderbilt. The Lederer twins, Eppie and Pauline, also known as Dear Abby and Ann Landers. Heloise.
The great photojournalists: Mathew Brady. Margaret Bourke-White. Robert Capa. Weegee. Eddie Adams. Alfred Eisenstadt.
The New York columnists: Jimmy Breslin. Pete Hamill. Jimmy Cannon.
The ones who will forever be linked together: Katharine Graham. Ben Bradlee. Carl Bernstein. Bob Woodward. Or Ben Hecht and Charles MacArthur.
The great movies, The Front Page, His Girl Friday, the brutally cynical Ace in the Hole, Absence of Malice, All the President's Men, Sweet Smell of Success - god, Sweet Smell of Success! The Year of Living Dangerously, The Killing Fields, The Quiet American, Good Night and Good Luck. And the greatest one, Citizen Kane."
The arts writers - Gilbert Seldes. Brooks Atkinson. George Jean Nathan.
Donella Meadows. Rachel Carson. Truman Capote. Joan Didion.
Journalists have added immeasurable richness to our culture.
I've loved four great newspapers in my life: The New York Times, The Miami Herald, the San Francisco Chronicle and The Boston Globe.
These are all shell papers now, ghosts of their former selves. Today we are hearing the death rattle of the Globe as the Times struggles to stay afloat.
Some people say newspapers have outlived their usefulness. These folks have their iPhones and Twitter and podcasts and RSS feeds. Newspapers, they say, are like buggy whips. They served their usefulness and should pass quietly from the scene.
But it's hard to come up with the many cultural contributions of the buggy whip. Or to find instances where people have given their lives for it.
The International News Safety Institute recently estimated that more than 1,300 journalists and other news professionals have died trying to cover the news in 105 countries since 1996. In places like the Congo, Mexico, Darfur, Georgia, Iraq, Colombia, Gaza, Afghanistan. They didn't die to provide "content." Or to raise the price of a media company's stock. They died to bring us the truth.
Some people say that texting, community journalism and social networking will replace newspapers. Yes, it's easy to hear about a plane landing on the Hudson River from people with iPhones who were watching as the thing come down. But will they break the news on Twitter about the next Abu Ghraib, pedophile priests, or a corrupt President?
Newspapers are more than a place to learn what's happening in the world. They're more than a place to find out which congressman is stealing, which sports figure is on steroids, and which actor is secretly having an affair.
They're where you go to get a lead on the good movies and books. They tell you stories about people you've never heard of. They give you the scores and the past performances. They tell you about the latest hip restaurants. They even give you pages of recipes. How many of us have learned to cook our first turkey with the pages of some newspaper taking up too much counter space?
All in one place, mind you. And every day.
Every day in this country, about 1,400 daily newspapers large and small publish how many pages filled with how many words?
And who comes up with the words to fill those pages? Writers.
Mind you, I'm not saying that all newspaper writing is good writing. Far from it. A lot of reporters are terrible writers. They bury the important facts, or cling to the "narrative" opening even when it's a hard news story, or get their facts wrong, or misquote and misinterpret, or push their own agendas, or defend conventional wisdom even when it's clearly not true.
But when you've got that many pages to fill with that many words, you're going to unearth some damn fine writers along the way.
A world without newspapers is a world without a place for writers to be paid to start writing. It's a place where curious people won't be paid to start investigating. I fear a new set of Dark Ages ahead.
We're barely five months into the new year, and the number of laid-off or bought-out reporters is approaching 10,000. The number will rise if the Globe is closed.
Imagine if Hemingway was still alive and someone called him a "content provider." That's a fight I'd like to see.
American Reporter Correspondent
DUMMERSTON, Vt. - The first time I was called a "content provider," I knew things were all downhill from there.
Think about Ernest Hemingway. Martha Gellhorn. Dorothy Thompson.
Then Damon Runyon. Alberto Moravia. Mark Twain. Jacob Riis and Lincoln Steffens. Graham Greene. Tom Wolfe. Gay Talese. Nellie Bly. H. L. Mencken. Grantland Rice. Hunter S. Thompson. Walter Winchell. Red Smith. Ernie Pyle. Russell Baker. Dave Barry. Carl Hiassen. Edna Buchanan. Ambrose Bierce. Mike Royko. Herb Caen. Janet Flanner. David Remnick. Seymour Hersh. Art Buchwald. George Seldes. I. F. Stone. David Halberstam. Geraldine Brooks. Jane Perlez. Tony Hillerman. Molly Ivins. A.J. Liebling. Murray Kempton. Ellen Goodman. Anna Quindlen.
Think about the sob sisters and advice-givers: Dorothy Dix. Amy Vanderbilt. The Lederer twins, Eppie and Pauline, also known as Dear Abby and Ann Landers. Heloise.
The great photojournalists: Mathew Brady. Margaret Bourke-White. Robert Capa. Weegee. Eddie Adams. Alfred Eisenstadt.
The New York columnists: Jimmy Breslin. Pete Hamill. Jimmy Cannon.
The ones who will forever be linked together: Katharine Graham. Ben Bradlee. Carl Bernstein. Bob Woodward. Or Ben Hecht and Charles MacArthur.
The great movies, The Front Page, His Girl Friday, the brutally cynical Ace in the Hole, Absence of Malice, All the President's Men, Sweet Smell of Success - god, Sweet Smell of Success! The Year of Living Dangerously, The Killing Fields, The Quiet American, Good Night and Good Luck. And the greatest one, Citizen Kane."
The arts writers - Gilbert Seldes. Brooks Atkinson. George Jean Nathan.
Donella Meadows. Rachel Carson. Truman Capote. Joan Didion.
Journalists have added immeasurable richness to our culture.
I've loved four great newspapers in my life: The New York Times, The Miami Herald, the San Francisco Chronicle and The Boston Globe.
These are all shell papers now, ghosts of their former selves. Today we are hearing the death rattle of the Globe as the Times struggles to stay afloat.
Some people say newspapers have outlived their usefulness. These folks have their iPhones and Twitter and podcasts and RSS feeds. Newspapers, they say, are like buggy whips. They served their usefulness and should pass quietly from the scene.
But it's hard to come up with the many cultural contributions of the buggy whip. Or to find instances where people have given their lives for it.
The International News Safety Institute recently estimated that more than 1,300 journalists and other news professionals have died trying to cover the news in 105 countries since 1996. In places like the Congo, Mexico, Darfur, Georgia, Iraq, Colombia, Gaza, Afghanistan. They didn't die to provide "content." Or to raise the price of a media company's stock. They died to bring us the truth.
Some people say that texting, community journalism and social networking will replace newspapers. Yes, it's easy to hear about a plane landing on the Hudson River from people with iPhones who were watching as the thing come down. But will they break the news on Twitter about the next Abu Ghraib, pedophile priests, or a corrupt President?
Newspapers are more than a place to learn what's happening in the world. They're more than a place to find out which congressman is stealing, which sports figure is on steroids, and which actor is secretly having an affair.
They're where you go to get a lead on the good movies and books. They tell you stories about people you've never heard of. They give you the scores and the past performances. They tell you about the latest hip restaurants. They even give you pages of recipes. How many of us have learned to cook our first turkey with the pages of some newspaper taking up too much counter space?
All in one place, mind you. And every day.
Every day in this country, about 1,400 daily newspapers large and small publish how many pages filled with how many words?
And who comes up with the words to fill those pages? Writers.
Mind you, I'm not saying that all newspaper writing is good writing. Far from it. A lot of reporters are terrible writers. They bury the important facts, or cling to the "narrative" opening even when it's a hard news story, or get their facts wrong, or misquote and misinterpret, or push their own agendas, or defend conventional wisdom even when it's clearly not true.
But when you've got that many pages to fill with that many words, you're going to unearth some damn fine writers along the way.
A world without newspapers is a world without a place for writers to be paid to start writing. It's a place where curious people won't be paid to start investigating. I fear a new set of Dark Ages ahead.
We're barely five months into the new year, and the number of laid-off or bought-out reporters is approaching 10,000. The number will rise if the Globe is closed.
Imagine if Hemingway was still alive and someone called him a "content provider." That's a fight I'd like to see.
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