The Newspaper Guild labor-union affiliate of the Communications Workers of America (CWA) is stepping up its efforts to guarantee that journalism survives despite changes in how it's presented.
The fight for journalism in many ways is the fight for a representative republic, obviously.
TNG-CWA is planning a May strategy session in Cleveland and is encouraging broad attendance from U.S. and Canadian Guild locals.
Free Press founders John Nichols and Robert McChesney, authors of the new book The Death and Life of American Journalism: The Media Revolution that Will Begin the World Again, have been invited to be a part of the discussion, which will focus on ways the Guild, organized labor and other groups concerned about democracy all can help maintain the vital role of a free press.
“This should not be a discussion about journalism," said Nichols, who's a co-founder of the nonprofit Free Press advocacy group and a writer for The Nation magazine and an editor at the Madison (Wisc.) Capital Times. "It should not be a discussion about newspapers, or a discussion about media. This is a discussion about democracy.
“The founders were very, very blunt: Freedom of the press meant not just a free press but a ‘press’ — something real.”
Thursday, March 25, 2010
Saturday, March 20, 2010
Discuss the Future of Journalism
The Journalism Program in the Department of English and Journalism and the University Libraries invite you to attend "Journalism Beyond Print" this Wednesday, March 24, in Malpass Library Room 180.
This discussion begins at 11:45 a.m. and brings together three professionals to describe and share examples of how their news organizations are delivering information and news "outside of their legacy platforms of newspapers or broadcasts" to the digital realm (to computers and smart phones or with podcasts or RSS feeds).
Mark Butzow, assistant professor of journalism, and other WIU journalism professors will augment the presentations by these guests: Jason Piscia, a web editor from Springfield's State Journal Register; Erin McCarthy, a reporter/photographer for Macomb's McDonough County Voice; and Rich Eggers, the news director for Tri-States Public Radio and WIUM-FM (NPR).
We see this is as a wide-ranging discussion of the directions that journalism is taking in the wake of digital media, and we invite your participation. For more information, contact Mark Butzow at ma-butzow@wiu.edu or 298-3171.
This discussion begins at 11:45 a.m. and brings together three professionals to describe and share examples of how their news organizations are delivering information and news "outside of their legacy platforms of newspapers or broadcasts" to the digital realm (to computers and smart phones or with podcasts or RSS feeds).
Mark Butzow, assistant professor of journalism, and other WIU journalism professors will augment the presentations by these guests: Jason Piscia, a web editor from Springfield's State Journal Register; Erin McCarthy, a reporter/photographer for Macomb's McDonough County Voice; and Rich Eggers, the news director for Tri-States Public Radio and WIUM-FM (NPR).
We see this is as a wide-ranging discussion of the directions that journalism is taking in the wake of digital media, and we invite your participation. For more information, contact Mark Butzow at ma-butzow@wiu.edu or 298-3171.
Thursday, March 18, 2010
Content and its vehicles
The next time some Internet guru (or broadcaster) snickers "Print is dead," you might reply: "Everything's dead.
"And, everything's alive."
According to a recent report from the Pew Research Center, more than 25% of American adults now get their news on their cell phones.
True, what they consider "news" consists mostly of weather reports and sports scores, but the point is made.
Content is key.
It matters less that a soup is delivered in a bowl or a mug than its ingredients and preparation are tasty.
Just wait 'til the iPad price comes down.
"TV, phone home."
"And, everything's alive."
According to a recent report from the Pew Research Center, more than 25% of American adults now get their news on their cell phones.
True, what they consider "news" consists mostly of weather reports and sports scores, but the point is made.
Content is key.
It matters less that a soup is delivered in a bowl or a mug than its ingredients and preparation are tasty.
Just wait 'til the iPad price comes down.
"TV, phone home."
WGN radio boss muzzles announcers
The CEO at WGN-AM recently annoyed staffers and listeners by issuing an edict forbidding announcers from saying certain words and urging them to report those who utter them, according to a memo shared by longtime Chicago media reporter Robert Feder.
The heavy-handed memo is reminiscent of a comment from a priest friend who recalled parishioners complaining about some Masses varying ever-so-slightly from others: "When you can't control the Big Picture, you tend to get really bitchy about the little things," Father said.
Some of the words are tired, cliches or journalese, sure. But prohibiting "alleged" seems a bit much. And "really?"
Really?
You'd think a chief executive would have other things to do.
The heavy-handed memo is reminiscent of a comment from a priest friend who recalled parishioners complaining about some Masses varying ever-so-slightly from others: "When you can't control the Big Picture, you tend to get really bitchy about the little things," Father said.
Some of the words are tired, cliches or journalese, sure. But prohibiting "alleged" seems a bit much. And "really?"
Really?
You'd think a chief executive would have other things to do.
Wednesday, March 10, 2010
Todd Frankel Today
Todd C. Frankel, an award-winning metro general assignment reporter for the St. Louis Post-Dispatch, will be the keynote speaker for Western Illinois University's 2010 Journalism Day Wednesday, March 10.
Frankel was a key reporter in the Post-Dispatch's daily coverage of the "Missouri Miracle," the kidnapping and rescue of youths Shawn Hornbeck and Ben Ownby. He was a finalist for the Livingston Award in 2006 and won a Sigma Delta Chi award for feature writing and a Casey Medal for coverage of families and children in 2002. When the St. Louis Riverfront Times named him the best newspaper reporter (Sept. 29, 2004), he was praised for his ability to report with equal comfort and enthusiasm on events including a horseradish festival, a fiery car crash, a double murder or a flu epidemic.
A graduate of the University of Delaware, Frankel previously worked at The Herald in Everett, WA; The Daily Mail in Charleston, WV; and The Gleaner in Henderson, KY. He often speaks on three main topics: making sense of the Missouri Miracle; bringing pizzazz to mundane topics; and telling compelling stories in 20 inches or less.
At Western, Frankel will speak about "How to Tell Compelling Stories on Deadline" to journalism students at 4:30 p.m. at the Western Courier office in the Heating Plant Annex.
He will present "Breaking Away From the Pack: Finding and Telling the Overlooked Story," at 7 p.m. in the University Union Sandburg Theatre. This presentation is open free to the public.
Frankel's visit is sponsored by the WIU Visiting Lectures Committee, the English and journalism department and the WIU chapter of the Society of Professional Journalists.
Frankel was a key reporter in the Post-Dispatch's daily coverage of the "Missouri Miracle," the kidnapping and rescue of youths Shawn Hornbeck and Ben Ownby. He was a finalist for the Livingston Award in 2006 and won a Sigma Delta Chi award for feature writing and a Casey Medal for coverage of families and children in 2002. When the St. Louis Riverfront Times named him the best newspaper reporter (Sept. 29, 2004), he was praised for his ability to report with equal comfort and enthusiasm on events including a horseradish festival, a fiery car crash, a double murder or a flu epidemic.
A graduate of the University of Delaware, Frankel previously worked at The Herald in Everett, WA; The Daily Mail in Charleston, WV; and The Gleaner in Henderson, KY. He often speaks on three main topics: making sense of the Missouri Miracle; bringing pizzazz to mundane topics; and telling compelling stories in 20 inches or less.
At Western, Frankel will speak about "How to Tell Compelling Stories on Deadline" to journalism students at 4:30 p.m. at the Western Courier office in the Heating Plant Annex.
He will present "Breaking Away From the Pack: Finding and Telling the Overlooked Story," at 7 p.m. in the University Union Sandburg Theatre. This presentation is open free to the public.
Frankel's visit is sponsored by the WIU Visiting Lectures Committee, the English and journalism department and the WIU chapter of the Society of Professional Journalists.
Thursday, March 4, 2010
Broadcast journalists aren't escaping media 'transformation'

The press for more than a year has trumpeted the lousy news of big-city daily newspapers' financial woes -- brought on more by ridiculous business decisions and outrirght goofy assumptions than by Internet competition. But even as small dailies and weeklies survive and even prosper, other media sectors are suffering, too.
ABC News will cut between 20% and 25% of its news-division employees -- some 300 jobs -- on the heels of CBS News' recent layoffs of about 100 employees.
ABC News president David Westin (above) in a memo inexplicably wrote about the potential of growth even as in the same breath -- or, paper -- he announced the cuts.
"The digital age makes our business more competitive than ever before," he writes. "It also presents us with opportunities we couldn't have imagined to gather, produce, and distribute the news."
He lays out his plan for the network'a news operation's transformation by promising to "dramatically expand our use of digital journalists" and "move to a more flexible blend of staff and freelancers," which sounds like the short-sighted management axioms "Do more with less" or "Use cheap help."
Westin buries the lede, too, finally mentioning, "When we are finished, we will likely have substantially fewer people on staff at ABC News. To ease the transition, we are offering a voluntary separation package to all full-time, U.S.-based, non-union, non-contract employees."
Unionized journalists and other workers will have separate "voluntary separation offers," he adds.
Like the Tribune's Sam Zell or other media moguls, he doesn't address how such a gutted endeavor will be expected to do more work.
Sunday, February 28, 2010
Be encouraged, editor tells J students
The president of the American Society of News Editors recently assured students at Penn State that now is a great time to be in journalism.
"This is an opportune time to be a journalist," said Martin Kaiser. "From all this uncertainty comes opportunities."
Kaiser, coverred by the Daily Collegian newspaper, said he realizes that there are problems in the industry, but that there are actually more readers now then ever before. The main problem to be solved is how to bring in revenue to the newspapers from the online readers.
With the increased amount of online traffic for newspaper Web sites also comes an opportunity for reporters to experiment, Kaiser said. New technology gives reporters "an opportunity to be more transparent," lending more credibility and interactivity to stories.
"This is an opportune time to be a journalist," said Martin Kaiser. "From all this uncertainty comes opportunities."
Kaiser, coverred by the Daily Collegian newspaper, said he realizes that there are problems in the industry, but that there are actually more readers now then ever before. The main problem to be solved is how to bring in revenue to the newspapers from the online readers.
With the increased amount of online traffic for newspaper Web sites also comes an opportunity for reporters to experiment, Kaiser said. New technology gives reporters "an opportunity to be more transparent," lending more credibility and interactivity to stories.
'Journalist' as a diagnosis
Magazine writer and novelist Anna Quindlen maybe had it pegged when she wrote, "Being a reporter is as much a diagnosis as a job description."
However, New York Times executive editor Bill Keller added some flair to the sense of destiny to pursuing journalism -- the calling, if you will.
In an email to Off The Record, Keller wrote, "Journalists are disposed to a kind of A.D.D., a restless curiosity. One great lure of this work is that you can move from subject to subject, from reporting to editing and back again. Think of it as pushing the 'refresh' button."
However, New York Times executive editor Bill Keller added some flair to the sense of destiny to pursuing journalism -- the calling, if you will.
In an email to Off The Record, Keller wrote, "Journalists are disposed to a kind of A.D.D., a restless curiosity. One great lure of this work is that you can move from subject to subject, from reporting to editing and back again. Think of it as pushing the 'refresh' button."
Eggers' 'new/old journalism' in 'Panorama'
The Chicago Tribune's Christopher Borrelli writes about the wonderful one-shot "Sunday newspaper," the San Francisco Panorama, through a chat with creator Dave Eggers, an Illinoisan from his roots through college.
"The first thing to know about the 33rd issue of McSweeney's, the literary journal started in 1998 by Lake Forest native Dave Eggers, is that it's a fantasy, a tantalizing mirage — a glimpse of a perfect media world. And it isn't a fantasy, not entirely. Issue No. 33, so immense it comes in a pillow-size, silver, Ziploc-ish bag, is designed as an old-school Sunday broadsheet newspaper. It features articles from Junot Diaz, Stephen King, Michael Chabon, Miranda July and actor James Franco; it has comics from Alison Bechdel, Art Spiegelman and Oak Park resident Chris Ware; cartoonist Daniel Clowes (another Chicago guy) created the front-page logo. The books section runs 96 pages, the Sunday magazine 112 pages. The photos are large and gorgeous, the longest story is about 20,000 words, the arts section is two sections, and, basically, it's fun.
"Really fun.
"So perfectly executed that if you work at a daily newspaper — heck, if you merely prefer the feel of news on print, or just adore the beleaguered medium (as Eggers does) — issue No. 33 may bring a tear to your eye."
Click on the link above for the full Q&A; also fun.
"The first thing to know about the 33rd issue of McSweeney's, the literary journal started in 1998 by Lake Forest native Dave Eggers, is that it's a fantasy, a tantalizing mirage — a glimpse of a perfect media world. And it isn't a fantasy, not entirely. Issue No. 33, so immense it comes in a pillow-size, silver, Ziploc-ish bag, is designed as an old-school Sunday broadsheet newspaper. It features articles from Junot Diaz, Stephen King, Michael Chabon, Miranda July and actor James Franco; it has comics from Alison Bechdel, Art Spiegelman and Oak Park resident Chris Ware; cartoonist Daniel Clowes (another Chicago guy) created the front-page logo. The books section runs 96 pages, the Sunday magazine 112 pages. The photos are large and gorgeous, the longest story is about 20,000 words, the arts section is two sections, and, basically, it's fun.
"Really fun.
"So perfectly executed that if you work at a daily newspaper — heck, if you merely prefer the feel of news on print, or just adore the beleaguered medium (as Eggers does) — issue No. 33 may bring a tear to your eye."
Click on the link above for the full Q&A; also fun.
Journalism's past and future: ex-BBC news chief
BBC global news director Richard Sambrook is excited about what the web offers news consumers and news rooms, but frets about substance.
"The Internet for breaking and daily news is going to be more important, but where is the space on the web for current affairs and investigative journalism?" he asked in an interview with Vin Ray of the BBC College of Journalism.
After three decades in journalism, Sambrook is leaving the BBC to join the public relations firm Edelman.
Ustream has the conversation on video on the Reportr.net link above.
"The Internet for breaking and daily news is going to be more important, but where is the space on the web for current affairs and investigative journalism?" he asked in an interview with Vin Ray of the BBC College of Journalism.
After three decades in journalism, Sambrook is leaving the BBC to join the public relations firm Edelman.
Ustream has the conversation on video on the Reportr.net link above.
Friday, February 12, 2010
Toyota puts price on good journalism
As Toyota steps up its public-relations pushback machine, consumers of news as well as cars might recall that the Japanese carmaker’s problems are not new –- and they’re trying to financially punish those news operations that brought the facts to light.
ABC-TV affiliates in five southeastern states had Toyota pull all their advertising in retaliation for ABC News accurately reporting on problems such as sticky pedals.
“ABC News and its chief investigative correspondent Brian Ross have been reporting on the problem of ‘runaway Toyotas’ since last November,” reports journalist and commentator Laura Flanders. “Ross had hosted a series of stories long before Toyota management started issuing apologies and denials about the extent of their cars’ defects.”
Earlier this month, as Toyota started its biggest recalls ever, Southeast Toyota dealers started pulling commercials off ABC. According to excerpts from an ABC report, the ad agency representing 173 dealers told local ABC affiliates that the shift was due to “excessive stories on the Toyota issues.” One unnamed ABC station manager quoted in a February 8 story on the ad-pulls is quoted as saying that the dealers shifted their commercial time buys to non-ABC stations in the same markets, “as punishment for the reporting.”
Toyota recently started recalling 2010 Prius, too. to its list of recalled vehicles.
“Will ABC News continue reporting?” Flanders asks. “Probably. But will cash-strapped local affiliates continue to run those stories?”
ABC-TV affiliates in five southeastern states had Toyota pull all their advertising in retaliation for ABC News accurately reporting on problems such as sticky pedals.
“ABC News and its chief investigative correspondent Brian Ross have been reporting on the problem of ‘runaway Toyotas’ since last November,” reports journalist and commentator Laura Flanders. “Ross had hosted a series of stories long before Toyota management started issuing apologies and denials about the extent of their cars’ defects.”
Earlier this month, as Toyota started its biggest recalls ever, Southeast Toyota dealers started pulling commercials off ABC. According to excerpts from an ABC report, the ad agency representing 173 dealers told local ABC affiliates that the shift was due to “excessive stories on the Toyota issues.” One unnamed ABC station manager quoted in a February 8 story on the ad-pulls is quoted as saying that the dealers shifted their commercial time buys to non-ABC stations in the same markets, “as punishment for the reporting.”
Toyota recently started recalling 2010 Prius, too. to its list of recalled vehicles.
“Will ABC News continue reporting?” Flanders asks. “Probably. But will cash-strapped local affiliates continue to run those stories?”
Wednesday, February 3, 2010
'A fight I'd like to see'

The National Society of Newspaper Columnists this week re-printed the following essay, which is worth sharing.
Pictured at right is newspaperman/novelist/correspondent Ernest Hemingway -- "content provider"?
By Joyce Marcel
American Reporter Correspondent
DUMMERSTON, Vt. - The first time I was called a "content provider," I knew things were all downhill from there.
Think about Ernest Hemingway. Martha Gellhorn. Dorothy Thompson.
Then Damon Runyon. Alberto Moravia. Mark Twain. Jacob Riis and Lincoln Steffens. Graham Greene. Tom Wolfe. Gay Talese. Nellie Bly. H. L. Mencken. Grantland Rice. Hunter S. Thompson. Walter Winchell. Red Smith. Ernie Pyle. Russell Baker. Dave Barry. Carl Hiassen. Edna Buchanan. Ambrose Bierce. Mike Royko. Herb Caen. Janet Flanner. David Remnick. Seymour Hersh. Art Buchwald. George Seldes. I. F. Stone. David Halberstam. Geraldine Brooks. Jane Perlez. Tony Hillerman. Molly Ivins. A.J. Liebling. Murray Kempton. Ellen Goodman. Anna Quindlen.
Think about the sob sisters and advice-givers: Dorothy Dix. Amy Vanderbilt. The Lederer twins, Eppie and Pauline, also known as Dear Abby and Ann Landers. Heloise.
The great photojournalists: Mathew Brady. Margaret Bourke-White. Robert Capa. Weegee. Eddie Adams. Alfred Eisenstadt.
The New York columnists: Jimmy Breslin. Pete Hamill. Jimmy Cannon.
The ones who will forever be linked together: Katharine Graham. Ben Bradlee. Carl Bernstein. Bob Woodward. Or Ben Hecht and Charles MacArthur.
The great movies, The Front Page, His Girl Friday, the brutally cynical Ace in the Hole, Absence of Malice, All the President's Men, Sweet Smell of Success - god, Sweet Smell of Success! The Year of Living Dangerously, The Killing Fields, The Quiet American, Good Night and Good Luck. And the greatest one, Citizen Kane."
The arts writers - Gilbert Seldes. Brooks Atkinson. George Jean Nathan.
Donella Meadows. Rachel Carson. Truman Capote. Joan Didion.
Journalists have added immeasurable richness to our culture.
I've loved four great newspapers in my life: The New York Times, The Miami Herald, the San Francisco Chronicle and The Boston Globe.
These are all shell papers now, ghosts of their former selves. Today we are hearing the death rattle of the Globe as the Times struggles to stay afloat.
Some people say newspapers have outlived their usefulness. These folks have their iPhones and Twitter and podcasts and RSS feeds. Newspapers, they say, are like buggy whips. They served their usefulness and should pass quietly from the scene.
But it's hard to come up with the many cultural contributions of the buggy whip. Or to find instances where people have given their lives for it.
The International News Safety Institute recently estimated that more than 1,300 journalists and other news professionals have died trying to cover the news in 105 countries since 1996. In places like the Congo, Mexico, Darfur, Georgia, Iraq, Colombia, Gaza, Afghanistan. They didn't die to provide "content." Or to raise the price of a media company's stock. They died to bring us the truth.
Some people say that texting, community journalism and social networking will replace newspapers. Yes, it's easy to hear about a plane landing on the Hudson River from people with iPhones who were watching as the thing come down. But will they break the news on Twitter about the next Abu Ghraib, pedophile priests, or a corrupt President?
Newspapers are more than a place to learn what's happening in the world. They're more than a place to find out which congressman is stealing, which sports figure is on steroids, and which actor is secretly having an affair.
They're where you go to get a lead on the good movies and books. They tell you stories about people you've never heard of. They give you the scores and the past performances. They tell you about the latest hip restaurants. They even give you pages of recipes. How many of us have learned to cook our first turkey with the pages of some newspaper taking up too much counter space?
All in one place, mind you. And every day.
Every day in this country, about 1,400 daily newspapers large and small publish how many pages filled with how many words?
And who comes up with the words to fill those pages? Writers.
Mind you, I'm not saying that all newspaper writing is good writing. Far from it. A lot of reporters are terrible writers. They bury the important facts, or cling to the "narrative" opening even when it's a hard news story, or get their facts wrong, or misquote and misinterpret, or push their own agendas, or defend conventional wisdom even when it's clearly not true.
But when you've got that many pages to fill with that many words, you're going to unearth some damn fine writers along the way.
A world without newspapers is a world without a place for writers to be paid to start writing. It's a place where curious people won't be paid to start investigating. I fear a new set of Dark Ages ahead.
We're barely five months into the new year, and the number of laid-off or bought-out reporters is approaching 10,000. The number will rise if the Globe is closed.
Imagine if Hemingway was still alive and someone called him a "content provider." That's a fight I'd like to see.
American Reporter Correspondent
DUMMERSTON, Vt. - The first time I was called a "content provider," I knew things were all downhill from there.
Think about Ernest Hemingway. Martha Gellhorn. Dorothy Thompson.
Then Damon Runyon. Alberto Moravia. Mark Twain. Jacob Riis and Lincoln Steffens. Graham Greene. Tom Wolfe. Gay Talese. Nellie Bly. H. L. Mencken. Grantland Rice. Hunter S. Thompson. Walter Winchell. Red Smith. Ernie Pyle. Russell Baker. Dave Barry. Carl Hiassen. Edna Buchanan. Ambrose Bierce. Mike Royko. Herb Caen. Janet Flanner. David Remnick. Seymour Hersh. Art Buchwald. George Seldes. I. F. Stone. David Halberstam. Geraldine Brooks. Jane Perlez. Tony Hillerman. Molly Ivins. A.J. Liebling. Murray Kempton. Ellen Goodman. Anna Quindlen.
Think about the sob sisters and advice-givers: Dorothy Dix. Amy Vanderbilt. The Lederer twins, Eppie and Pauline, also known as Dear Abby and Ann Landers. Heloise.
The great photojournalists: Mathew Brady. Margaret Bourke-White. Robert Capa. Weegee. Eddie Adams. Alfred Eisenstadt.
The New York columnists: Jimmy Breslin. Pete Hamill. Jimmy Cannon.
The ones who will forever be linked together: Katharine Graham. Ben Bradlee. Carl Bernstein. Bob Woodward. Or Ben Hecht and Charles MacArthur.
The great movies, The Front Page, His Girl Friday, the brutally cynical Ace in the Hole, Absence of Malice, All the President's Men, Sweet Smell of Success - god, Sweet Smell of Success! The Year of Living Dangerously, The Killing Fields, The Quiet American, Good Night and Good Luck. And the greatest one, Citizen Kane."
The arts writers - Gilbert Seldes. Brooks Atkinson. George Jean Nathan.
Donella Meadows. Rachel Carson. Truman Capote. Joan Didion.
Journalists have added immeasurable richness to our culture.
I've loved four great newspapers in my life: The New York Times, The Miami Herald, the San Francisco Chronicle and The Boston Globe.
These are all shell papers now, ghosts of their former selves. Today we are hearing the death rattle of the Globe as the Times struggles to stay afloat.
Some people say newspapers have outlived their usefulness. These folks have their iPhones and Twitter and podcasts and RSS feeds. Newspapers, they say, are like buggy whips. They served their usefulness and should pass quietly from the scene.
But it's hard to come up with the many cultural contributions of the buggy whip. Or to find instances where people have given their lives for it.
The International News Safety Institute recently estimated that more than 1,300 journalists and other news professionals have died trying to cover the news in 105 countries since 1996. In places like the Congo, Mexico, Darfur, Georgia, Iraq, Colombia, Gaza, Afghanistan. They didn't die to provide "content." Or to raise the price of a media company's stock. They died to bring us the truth.
Some people say that texting, community journalism and social networking will replace newspapers. Yes, it's easy to hear about a plane landing on the Hudson River from people with iPhones who were watching as the thing come down. But will they break the news on Twitter about the next Abu Ghraib, pedophile priests, or a corrupt President?
Newspapers are more than a place to learn what's happening in the world. They're more than a place to find out which congressman is stealing, which sports figure is on steroids, and which actor is secretly having an affair.
They're where you go to get a lead on the good movies and books. They tell you stories about people you've never heard of. They give you the scores and the past performances. They tell you about the latest hip restaurants. They even give you pages of recipes. How many of us have learned to cook our first turkey with the pages of some newspaper taking up too much counter space?
All in one place, mind you. And every day.
Every day in this country, about 1,400 daily newspapers large and small publish how many pages filled with how many words?
And who comes up with the words to fill those pages? Writers.
Mind you, I'm not saying that all newspaper writing is good writing. Far from it. A lot of reporters are terrible writers. They bury the important facts, or cling to the "narrative" opening even when it's a hard news story, or get their facts wrong, or misquote and misinterpret, or push their own agendas, or defend conventional wisdom even when it's clearly not true.
But when you've got that many pages to fill with that many words, you're going to unearth some damn fine writers along the way.
A world without newspapers is a world without a place for writers to be paid to start writing. It's a place where curious people won't be paid to start investigating. I fear a new set of Dark Ages ahead.
We're barely five months into the new year, and the number of laid-off or bought-out reporters is approaching 10,000. The number will rise if the Globe is closed.
Imagine if Hemingway was still alive and someone called him a "content provider." That's a fight I'd like to see.
Saturday, January 23, 2010
Journalists in Haiti need help, too

Broadcast journalists work in the studios of Signal FM, the only Haitian radio station to continuously broadcast during and after the powerful, 7.0-magnitude earthquake that ravaged the capital, Port-au-Prince, and surrounding areas. (Photo from AP/Ariana Cubillos)
Haiti needs water, food and medical assistance, and the world needs news from the impoverished nation reeling from the January 12 earthquake there.
Joel Simon, executive director of the Committee to Protect Journalists, has joined a myriad of groups gathering donations to help Haitians.
"We are beginning to collect funds that will go directly to Haitian journalists," Simon said. "If you’d like to make a contribution you can [go to http://cpj.org/about/donate-online.php] and enter 'Haiti' in the 'Notes' section on the second page."
For other opportunities to help Haitians, go to http://www.google.com/relief/haitiearthquake/
Also, there are three easy ways to donate $10 through your cell-phone bill: To give $10 to Hope for Haiti Now, text 50555 and type "give" in the message. To give $10 to the Red Cross, text 90999 and type "haiti" in the message. To give $10 to Save The Children, text 20222 and type "Save" in the message. All three will promptly reply with an opportunity to confirm your contribution.
Monday, January 18, 2010
Mainstream newsrooms still produce most news
A new study finds that "most local news still flows from newspapers, and while broadcasters, web sites and blogs, and even social-network sites or podcasts distribute news, "the work of gathering that news is still the job of newspapers," adds the Pottstown (Pa.) Mercury.
The study, from the Pew research Center's Project for Excellence in Journalism, shows that mot actual reporting comes from U.S. newspapers.
"It does say that as digital platforms for information proliferate, most original reporting comes from traditional sources — local newspapers, television stations and radio stations," writes Majorie Cortez of the Deseret (Utah) News. "Most digital news outlets are regurgitating the reporting of newspapers, television and radio stations. They often add commentary but provide little new information.
The study, from the Pew research Center's Project for Excellence in Journalism, shows that mot actual reporting comes from U.S. newspapers.
"It does say that as digital platforms for information proliferate, most original reporting comes from traditional sources — local newspapers, television stations and radio stations," writes Majorie Cortez of the Deseret (Utah) News. "Most digital news outlets are regurgitating the reporting of newspapers, television and radio stations. They often add commentary but provide little new information.
Newspaper job loss in perspective
About 15,000 newspaper workers lost their jobs last year, according to News Cycle, a media industry outfit.
Some perspective: From August forward, layoffs dropped significantly.
Further, as Bill Steiderwald writes in The American Conservative magazine, "despite all the headlines and hysteria, exactly 10 of the country's 1,437 daily newspapers have stopped publishing since 2007. [And] in September alone, the construction industry shed 64,000 jobs."
Lastly, there's a sizable difference between the headline-grabbing situations of the Rocky Mountain News and the Chicago Tribune on the one hand, and dailies that operate far more quietly and profitably in small and mid-sized markets.
"One thing that would be supportive of newspaper employment is that 70 percent of daily newspapers have circulation under 50,000," said newspaper financial analyst John Morton. "Those kinds of newspapers have suffered far less than big city papers have. Going forward, they will suffer less."
Some perspective: From August forward, layoffs dropped significantly.
Further, as Bill Steiderwald writes in The American Conservative magazine, "despite all the headlines and hysteria, exactly 10 of the country's 1,437 daily newspapers have stopped publishing since 2007. [And] in September alone, the construction industry shed 64,000 jobs."
Lastly, there's a sizable difference between the headline-grabbing situations of the Rocky Mountain News and the Chicago Tribune on the one hand, and dailies that operate far more quietly and profitably in small and mid-sized markets.
"One thing that would be supportive of newspaper employment is that 70 percent of daily newspapers have circulation under 50,000," said newspaper financial analyst John Morton. "Those kinds of newspapers have suffered far less than big city papers have. Going forward, they will suffer less."
Thursday, January 14, 2010
Regional Journalism job fair Jan. 30 in Muncie, Ind.
There still may be time to get a slot at the January 30 job fair at Ball State University in Muncie, Ind.
Go to this pdf file for details -- http://cms.bsu.edu/App_Media/F/B/F/%7BFBF9A9C4-DAEA-4D3A-95B6-087B3AB0D01E%7DIAPME%202010%20Job%20Fair.pdf
Go to this pdf file for details -- http://cms.bsu.edu/App_Media/F/B/F/%7BFBF9A9C4-DAEA-4D3A-95B6-087B3AB0D01E%7DIAPME%202010%20Job%20Fair.pdf
Friday, January 8, 2010
Stop blaming the Internet: Tina Brown
One-fourth of the Daily Beast's Tina Brown's fine January 3 post, "Things to stop bitching about in 2010," rightfully criticizes the whining about the web and the doomsayers who pronounce as dead or passe substantive journalism such as investigative reporting.
"What a load of Spam!" Brown writes. "American newspapers are dying mostly because they were so dull for so long a whole generation gave up on them. They needed to innovate back in the Fax Age of the 1980s but were too self-important and making too much money with their monopolies to acknowledge it.
"In the U.K., there is a banquet of glorious newspapers to feast on in the morning despite the presence of the Internet," she continues. "All of these papers look nothing like they did 15 years ago. Furrow-browed broadsheets like The Times of London and The Guardian got snappy new overhauls, cut down to a more modern-feeling tabloid size, with a use of pictures and color that's imaginative and striking and appealing to the younger demographic.
"These 'serious' papers are replete with sexy culture coverage and hip fashion stories as well as foreign reporting and brainiac columnists that make them a guilty pleasure to read. It's one of the biggest fibs going that American newspapers are now being forced to give up their commitment to investigative reporting. Most of them gave up long ago as their greedy managements squeezed every cent out of the bottom line and turned their newsrooms into eunuchs. As for the Internet thieving the bona fide news reporters' hard-worked stories, 'Back at ya!' is all I can say. Online writers for years have had their stories ripped off by newspapers with no credit. At least the Internet links to the things it steals. Whatever his views on this issue, by the way, Rupert Murdoch has greatly improved The Wall Street Journal. Leave it to an Aussie to give American journalism a swift kick in its down under."
"What a load of Spam!" Brown writes. "American newspapers are dying mostly because they were so dull for so long a whole generation gave up on them. They needed to innovate back in the Fax Age of the 1980s but were too self-important and making too much money with their monopolies to acknowledge it.
"In the U.K., there is a banquet of glorious newspapers to feast on in the morning despite the presence of the Internet," she continues. "All of these papers look nothing like they did 15 years ago. Furrow-browed broadsheets like The Times of London and The Guardian got snappy new overhauls, cut down to a more modern-feeling tabloid size, with a use of pictures and color that's imaginative and striking and appealing to the younger demographic.
"These 'serious' papers are replete with sexy culture coverage and hip fashion stories as well as foreign reporting and brainiac columnists that make them a guilty pleasure to read. It's one of the biggest fibs going that American newspapers are now being forced to give up their commitment to investigative reporting. Most of them gave up long ago as their greedy managements squeezed every cent out of the bottom line and turned their newsrooms into eunuchs. As for the Internet thieving the bona fide news reporters' hard-worked stories, 'Back at ya!' is all I can say. Online writers for years have had their stories ripped off by newspapers with no credit. At least the Internet links to the things it steals. Whatever his views on this issue, by the way, Rupert Murdoch has greatly improved The Wall Street Journal. Leave it to an Aussie to give American journalism a swift kick in its down under."
Thursday, January 7, 2010
Between tweets and twenty-inch clumsiness
Long-time commentator Michael Kinsley in the new Atlantic monthly magazine criticizes "traditional" newspaper writing for being too long, too formulaic and too timid.
He's got a point -- several of them, actually. And surely there must be a happy medium -- at least a practical, functional middle ground -- between ridiculously short Twitter posts or even typical USA Today brevity on the one extreme and overwritten and predictable (and lo-o-o-o-ng for no apparent reason) stories on the other.
Kinsley's take (not too long, appropriately enough, and quite readable) is highly recommended.
He's got a point -- several of them, actually. And surely there must be a happy medium -- at least a practical, functional middle ground -- between ridiculously short Twitter posts or even typical USA Today brevity on the one extreme and overwritten and predictable (and lo-o-o-o-ng for no apparent reason) stories on the other.
Kinsley's take (not too long, appropriately enough, and quite readable) is highly recommended.
Friday, December 18, 2009
English/creative writing grad loves journalism
SPJ's new edition of Quill magazine has a terrific short interview with award-winning journalist Rosette Royale, whose background is not in newswriting but in English and creative writing.
But today he works for Real Change, a weekly newspaper in Seattle, and enjoys not just the storytelling for which he was educated, but the opportunity to make a difference for society.
"I learned that investigative journalism can be really fun, too," he says. "When you report news, you can still tell stories. As a journalist you can be any kind of writer you want to be."
But today he works for Real Change, a weekly newspaper in Seattle, and enjoys not just the storytelling for which he was educated, but the opportunity to make a difference for society.
"I learned that investigative journalism can be really fun, too," he says. "When you report news, you can still tell stories. As a journalist you can be any kind of writer you want to be."
Thursday, December 17, 2009
Senate action moves Shield Law closer to reality
Larry Margasak of the Associated Press reports that the Senate Judiciary Committee last week ended months of inaction on a bill to protect reporters' confidential sources in federal court , clearing the way for a reconciliation with a House version before consideration by the White House.
The bill does not give journalists absolute authority to protect sources. Those rights can be overridden in national security cases.
"After years of debate and countless cases of reporters being held in contempt, fined and even jailed for honoring their professional commitment not to publicly reveal their sources, the time has come to enact a balanced federal shield law," said the committee chairman, Patrick Leahy, (D-Vt.).
Conservative Republicans and some in the intelligence community opposed it, citing dangers to national security.
The bill broadly defines journalists to include bloggers, citizen journalists and freelancers. It also relies on court tests to determine whether sources deserve protection.
Most states have either state media shield laws or court cases establishing the protection.
The bill does not give journalists absolute authority to protect sources. Those rights can be overridden in national security cases.
"After years of debate and countless cases of reporters being held in contempt, fined and even jailed for honoring their professional commitment not to publicly reveal their sources, the time has come to enact a balanced federal shield law," said the committee chairman, Patrick Leahy, (D-Vt.).
Conservative Republicans and some in the intelligence community opposed it, citing dangers to national security.
The bill broadly defines journalists to include bloggers, citizen journalists and freelancers. It also relies on court tests to determine whether sources deserve protection.
Most states have either state media shield laws or court cases establishing the protection.
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